So Far I Do Not Know
In this installation, more than 20 speakers are filled with pigment that is slowly set in motion by sound. Chirping, croaking, and vibrating in shifting sequences, the speakers generate fragile movements that push the pigment outward and upward across their surfaces. What emerges is not an instant image, but a slow choreography of accumulation: delicate trails, abstract patterns, and sedimented marks that build over time. Suspended between sound, machine, and drawing, the work makes visible a process of becoming, as if each speaker were quietly teaching itself how to form a picture.
